To put my thoughts into context, prior to my purchase I was mixing on a pair of Dynaudio BM-5As and was looking for a larger speaker for the new, bigger room. The HS8's are a little more "smiley face" eq sounding than the LSR32's. In fact, even using a flat Room Control setting, you’ll need a subwoofer to be able to accurately assess what’s happening in the bottom octave (from 20 to 40 Hz) of your mix; this is true for virtually all near-field monitors. To sum up, if you are on the fence, bite the bullet and buy. In my personal opinion, the HS7 will be a better match for my needs as it seemed “flatter” across the spectrum of sound compared to the HS5 and HS8 plus it has more bass end response compared to the HS5. The on/off switch is located on the back and when switched on, the Yamaha logo on the front of the Monitor glows a nice white. To make what could be a long story, short, the HS5s were very midrange forward and almost brash whereas with the HS7, the highs and mids were clearly there but not over emphasized. The overriding hallmark was an eminently crystal-clear sound when placed on console-top shelves—positioning that defenestrates most other monitors’ clarity of reproduction. It was because of their transparency - if your mix sounded good on the NS 10's, it would sound good on anything! The mids on the two pairs of speakers are also very different. Obviously this is not what I wanted for the studio but maybe for the living room. Published: 11/01/2013. The frequency response on the HS8 provides a wider range from 38Hz-30kHz versus the HS7 at 43Hz-30kHz. Built-in filters and level control. Sound-wise the 8-inch cone woofer is coupled with a 1-inch dome tweeter. ( 0db, -2db, -4db ) The HS8s sounded really “great” over all and similar in nature to some degree with my M-Audio BX8as in the Low-End Arena. (HS5, HS7, HS8) Large magnets in an Advanced Magnetic Circuit design. Frequency response: 46 Hz – 24 kHz* Yamaha’s HS series are seen by some as the long-awaited successor to the company’s ubiquitous NS10M studio monitors, which came onto the market way back in 1978 and can still be found in countless commercial studios to this day. (Yamaha’s new HS8S subwoofer can vary its high-cut corner frequency from 80 to 120 Hz.) Though there is a lot of weight placed upon the room in which you work, there is a lot that a great set of monitors can do for you with proper placement. … Room control and high-trim response controls give you optimum response in any room. Hs8 - 12.5 kg Hs80-13.2 kg-----Better Frequency Response HS8: 38Hz - 30kHz HS80m: 42Hz - 20kHz-Updated Drivers (New Tweeter {30khz} and Woofer). Room Control A heat sink (for the amplifiers), rocker-style power switch and IEC power receptacle round out the rear panel. The look and feel matter little in the world of audio…so how do they sound? -Updated Drivers (New Tweeter {30khz} and Woofer). We’ll talk about that 5Hz of difference in a bit. The HS8's bass, though not as deep as the LSR32, is punchy and super tight, and far more audible in my mix position. YAMAHA HS8: TIME FOR A REALITY CHECK. You also have Kevlar drivers which are among the best in the industry. My HS8's are on top of my LSR32's, vertically oriented, upside down, on pads, at a slight downward angle toward my mix position. The HS8 are to me very neutral and theres absolutly no fattigue, personally i don't need a subwoofer or to adjust the sound using the high trim or room control, the sound is clean and open without sounding bright and unnatural Overall, I was quite pleased (after playing music for 8 hours while I was asleep) my first mix on the HS8s was quite a fun experience. One of the primary features that make the Yamaha HS8 stand out is its higher frequency response rate. In fact, on a mix I've been working on, the HS8's helped me realize I'd set the slight boost on the high freq's on my 2-buss eq at the wrong freq (16khz, should have been 12khz, with a wider Q). The HS8 features a newly designed 1-inch dome tweeter and 8-inch woofer. Other deviations do not exceed 1 dB according to the stated indicators. They are very true to sound and I find my mixes translate extremely well after mixing through these monitors. I liked the overall performance of the HS8's. Some may think $800 is a lot for a pair of monitors, but considering the competition (which can cost several thousand dollars per speaker), I was relieved to love them as much as I do now. Visit our corporate site. My Experience After several trials, I landed on a magnificent pair of Yamaha’s HS8s, an update from their previous HS80M from all I can tell. Luckily for me, I have a very patient gear representative, and we were able to land on a set, that over the last few months, I have really grown to understand and don’t know what I would do without. Both speaker-makers publish spec-sheets that would indicate they're both pretty flat, at least in the 40hz to 18khz range. Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. What is "flat"? - Updated Bass Ports (They are now roughly -6db quieter which means a more controlled Low end) Understand that it isn’t easy to write about the quality of sound of both these products or any other sounds systems for that matter, which is why I recommend that you do a sound testing when you are shopping for the product. Better Frequency Response The audibility of the HS8 low end is true even at low volume. The midrange is forward and exquisitely detailed making the process of EQ for vocals a pleasure. In my control room, an Acoustic Sciences Corporation Attack Wall (a set of modular tube traps) is positioned to prevent sound emanating from the rear of the monitors from reflecting off the front wall. Glad they fixed that one. I don't know. I placed a pair of HS8s in vertical orientation on Primacoustic Recoil Stabilizers—situated on workstation shelves—about three feet from the nearest wall. It's certainly not concert loud, but it's louder than I'd ever use for mixing, and it's loud enough for clients to hear their music "cranked." 8 inch cone woofer and 1 inch dome tweeter; Produce low distortion sound with a well-defined bottom end at any output level 38Hz to 30kHz frequency response; Power consumption: 60 watts 75W LF plus 45W HF bi amp system 120W total;Level control (+4dB/center click), EQ: High trim switch (+/ 2dB at HF) / Room control switch (0/2/4 dB under 500Hz) The HS8’s frequency response is stated to be 47 Hz to 24 kHz, -3 dB, with 10dB down points at 38 Hz and 30 kHz. I took them home for the week after battling over some of the other options; Adam A7X, Equator D8 and the Presonus Scepter S8. TheKRK Rokit 8 G4 is a bi-amp monitor that is designed for professionals. *Although I did not hear any of them with the new Yamaha HS8S Subwoofer, I can imagine how nice it would be to add it to the HS7s as opposed to the HS5s. Pick one. The corners of the MDF (medium-density fiberboard) enclosure are anchored using a three-way mitered-joint technique borrowed from architectural design protocol. When you buy products through links across our site, we may earn an affiliate commission. Yamaha’s cosmetics are on point with their HS series. Way up. That's what I needed. On my first listen, these speakers sounded great! An accurate representation of audio while working on a project is of the highest importance to anyone working in the professional audio field. Add superb transient response, imaging and depth and tight bass reproduction to its list of attributes, and the verdict can only be two thumbs up. This also causes it to tip the scales higher at 23.6 pounds. Depending on your needs, you have options. They can get loud if I need to impress a client, but all the frequencies seem to stay in relatively the same place as I lower the volume for everyday mixing. Over those 15 years, I've learned to think of them as flat. The included detachable AC cord measures roughly eight feet in length, longer than that provided for most monitors and allowing greater flexibility in placement. According to Yamaha, the frequency range starts at 38Hz, which I agree with, and goes clear on up to 30kHz, which we will never hear. The old HS80M which i never have owned (heard them many times) is a speaker that can be a bit agressive in the upper midrange lower tweeter and there for could be a bit fattigue where the smaller HS50M where to me more fattigue then the HS80M. 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response. With its 38Hz to 30kHz frequency response, the HS8 can accurately play low, middle and high tones. Whether you are an audio for film guy/gal or a music mixer or even a live mixer working outside the venue, you need a great pair of studio monitors. Yamaha HS8 Review. From the standards like Yamaha’s NS10 and Makie’s Hr824 to the more recent Focal offerings as well as Bowers and Wilkins, there is a lot of variety out there, and the process of finding the right monitor for you can be an arduous process. How's that for scientific? The frequency response of Yamaha HS 8 is quite impressive with a range going from 38 Hz to 38 kHz. Yamaha recommends placing the HS8 at least five feet from the nearest wall for truest response when bypassing its filters, but that wasn’t possible in my small control room. Yamaha HS80m's or the new HS8 monitor. That's what I needed. I am not big on skimping on gear, so I was prepared to make a bigger purchase if necessary but for the price it was a no brainer to take them home for a test run. Despite its compact size, the Yamaha HS8 looks exceptionally attractive. As far as looks go, the Yamaha HS8 is not very different from the HS7, although it is slightly bigger, with dimensions of 14 by 16 by 21 inches. The HS8's are exactly what I needed and hoped for in reality-check monitors. A perfect balance between the smaller HS5 and the larger HS8. either way great deal. Hs8 - 12.5 kg The old hs has a low cut and mid trim where the new hs only has room control and high trim (which the old HS models also have), improvements are a better cabinet, new bas,midrange, a tweeter that goes all the way up to 30khz and a 6 db more quiet rear bassport. I find myself loving to mix through these, the sounds are not harsh and are usually true to what I hear in the room (while tracking a violinist, the band exclaimed "sounds like he is right here in the control room playing!") HS8: 38Hz - 30kHz My main motivation was clearly the sound to price comparison and I figured they were worth the try. The frequency range is between 38Hz and 30 kHz, so all the details will be captured, allowing you to enjoy a clear audio image with all the details in the sound. High Trim Oh, and do they get loud? The cabinet’s rear-firing port is designed to quell any potential air vortex, reducing noise up to 6 dB. With 120-watt amplification, you’ll enjoy high response in any studio setting. - Yamaha removed the internal shielding to improve magnet efficiency 22Hz - 150Hz frequency response High-power 150W amplifier exclusively designed for low frequencies LOW CUT switch, LOW CUT control (80-120Hz) HIGH CUT control (80-120 Hz) PHASE switch allow users to set up a subwoofer system with simple connections and no additional equipment The Yamaha HS8 weighs 28.8 pounds and measures 14 x 16 x 21 inches. They’re a classic design featuring sleek lines, with a little bit of futurism thrown in by the rounded corners and Venn diagram style overlapping of the dome and tweeter perimeters. Sound - And if you’re in the market, make sure that these great monitors are a consideration. Why were the NS 10's so popular? I like them both, in different ways. --------------------------------------------------------------------- The HS8 is the largest of 3 speakers from the new HS line. Maybe it's because I was already used to the HS80's sound. The LSR32's have 12" woofers that reach pretty darn low, but in my normal mix position in a 6' equilateral triangle, the lows (and especially the really low lows) don't seem to have enough space to build, and I have trouble hearing them. But after a few seconds back on the LSR32's, I'm keenly aware that I can really HEAR the mids in great detail, which was missing in the HS8's. The XLR connector does not latch—a minor concern. The HS Series has been updated, with better performance promised for the three full-range monitors and subwoofer comprising the product line. As a mix engineer, I have put a variety of studio monitors through their paces. Prices go up when the timer hits zero. Listening back to my mastered mixes with the HS8s’ filters nulled, imaging was very good and the spectral balance very even, save for mildly understated sibilance and a slight buildup in the upper-bass and low-midrange bands. If I only had the HS8's to work with, I'm sure I'd mess up the mids on things They're a little hyped (or scooped, 6 of one, half a dozen of the other), like a good aftermarket car stereo or a good mid-range hi-fi home stereo. د.إ 1,310.00 د.إ 1,400.00. It is fitted with a 1-inch tweeter that offers 45W of high-frequency power output. The Yamaha HS8 can handle sound frequencies between 38Hz and 30kHz, leaving the producer with a wide frequency response. The hallmark of the HS Series monitors has always been that they provide extraordinary clarity with shelf-top placement, and the new HS8 is no exception. I spent some time yesterday at the Guitar Center in Chicago (2633 N Halsted St, Chicago, IL 60614) listening to the newly released Yamaha HS5, HS7 and HS8 Monitors. Frequency Response. But when I switch back and forth, the LSR32's are definitely more articulate in the mids where I care the most about getting things right, while the HS8's are what I need to tell me what I can't quite hear in the highs and lows on the LSR32's. In a way, that’s slightly unfair on the HS. The construction is solid and the two balanced inputs (one XLR and one TRS) seem quite reliable. I Compared them to a pair of Adam A8X's and while the A8X's sounded a little "crisper" and "Clearer" 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter. There's also a slight difference in weight Now enter the HS8's. The high-performance drivers include an 8” woofer and a 1” tweeter. Looking at the frequency response diagram of the HS8 closely, the most noticeable deviation is a 6-dB dip around 2 kHz. They have a level adjustment on the back as well as room adjustment and high trim (although I found I did not need to change either of these settings). If you have a smaller room and bass response is no concern I would recommend the HS5 or HS7 for a little more bass. However, there are still some things that will help you make your decision in this area. On the other hand, KRK Rokit 8 G4’s frequency response ranges from 43Hz to 40 kHz. In our case, there is a very slight (but especially important) difference between the Yamaha HS7 vs HS8: the HS7 has a Frequency Response of 43Hz – 30kHz, and the HS8 has a Frequency Response of 38Hz – 30kHz. 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